| LEADER 00000cam 2200481 i 4500 |
| 001 ^a865543974 |
| 003 ^aOCoLC |
| 005 ^a20140904085643.0 |
| 008 150622s2009||||th 000 0 eng d |
| 010 ^a2013049645 |
| 016 7 ^a016657987^2Uk |
| 020 ^a9780199947317 (pbk.) |
| 020 ^a0199947317 |
| 035 ^a.b76015397 |
| 040 ^aDLC^beng^erda^cDLC^dOCLCO^dYDXCP^dUKMGB^dVLB^dCHVBK^dOSU^dUtOrBLW |
| 042 ^apcc |
| 049 ^aOSUU |
| 050 00 ^aML3830^b.T496 2014 |
| 050 00 ^aML3830^b.T496 2014 |
| 082 00 ^a781.1/1^223 |
| 100 1 ^aThompson, William Forde,^eauthor |
| 245 10 ^aMusic, thought, and feeling :^bunderstanding thepsychology of music /^cWilliam Forde Thompson |
| 250 ^aSecond edition |
| 300 ^axiii, 386 pages :^billustrations ;^c24 cm |
| 504 ^aIncludes bibliographical references (pages 345-367) andindexes |
| 520 ^aExamining the intersection of music, psychology, andneuroscience, Music, Thought, and Feeling, Second Edition,surveys the rapidly growing field of music cognition andexplores its most interesting questions. Assuming minimalbackground in music or psychology, the book begins with anoverview of the major theories on how and when musicbecame a widespread aspect of human behavior. It alsocovers: how humans perceive music; links between music andemotion; modern neuroimaging techniques and what they tellus about music^'s effect on the brain; psychologicalprocesses involved in imagining, composing, and performingmusic; [and] potential cognitive benefits of musicalengagement |
| 650 0 ^aMusic^xPsychological aspects |
| 650 0 ^aMusical perception |
| 999 ^aไชยวัฒน์ วงค์สุวรรณ์ |
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